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Inside Pellissippi

Pellissippi State instructor learns from Holocaust Museum

What really got to her was the smell of leather, from the thousands of shoes. Ordinary shoes. High-heeled shoes. Sturdy working shoes. Tiny baby shoes. The shoes they wore in the camps. The shoes they wore to walk to the showers. The shoes they wore to walk to their deaths.

For Tamela Wheeler, an Adult Education instructor at Pellissippi State, the thousands of shoes she saw in a room at the U.S. Holocaust Memorial Museum in Washington, D.C., proved to be the most memorable part of an emotional four-day seminar in late January on teaching the Holocaust.

Approximately 20 adult educators and guests are selected each year to participate in the workshop, which is sponsored by the Center for Literacy Studies at the University of Tennessee, the Tennessee Holocaust Commission and the Tennessee Division of Adult Education. Participants learn from their museum visit how to incorporate the lessons of the Holocaust into adult education programs.

Wheeler says the museum attempts to put a human face on the horror that was the Holocaust. At the beginning of a tour, each visitor receives an identification card of sorts—the name and brief biography of a Holocaust victim or prisoner. Wheeler received the card of a young Polish girl who was in a concentration camp.

“I found out at the end of the tour by looking at the back of my card that she died at Auschwitz,” she said. “I’ll share that with my students.”

She also plans to use the popular book “Daniel’s Story” to describe how people’s lives were changed-from being part of a family at home one day to being confined to a ghetto or concentration camp the next.

Wheeler says art plays an important role in how the museum interprets the Holocaust, from posters to tiles painted by hundreds of children who have gone through the museum to photographs of Holocaust victims.

For example, visitors see a mural-like image of piles of hair shorn from the heads of female prisoners at Auschwitz-Birkenau concentration camp.

One of the contributors to the mural is a Holocaust survivor who serves on the museum’s board. She chose a photograph of her mother’s hair for the exhibit because she lost her mother and said she didn’t want her mother’s real hair on display.

“This picture was several feet long, and the stack of hair shown in it was overwhelming. What a sense of humiliation for those individuals, particularly the women,” Wheeler said.

Even the design of the museum itself is eye-opening: one gets the impression of institutional concrete, glass and steel surroundings, stark and gray, like a concentration camp or ghetto, and the rooms have no right angles.

The architect of the museum designed the spaces that way, Wheeler said, “because the Holocaust did not make sense, and he said the museum should show that.”

One space is shaped like a regular room, but the ceiling extends up in the shape of a chimney.

“You could see the sky, and there were pictures of individuals of an entire community covering all the walls, even covering the walls running up the chimney, to signify that an entire community was murdered,” she said.

Because of the seminar, she says she is better prepared to use the history and lessons of the Holocaust as part of her Adult Education and English as a Second Language (ESL) classes.

“Visiting the museum was the most wonderful experience in my professional development that I’ve ever had,” said Wheeler, who also is assistant coordinator of ESL programs at the Magnolia Avenue Campus. Rosalyn Tillman, assistant dean of the campus, attended the seminar as well.

Wheeler hopes to infuse her Adult Education and ESL students with not only the historical significance of the Holocaust but also the sense of emotion that she experienced at the museum. And she notes that the lessons of the Holocaust six decades ago have modern-day versions.

She says she has encountered students in recent years who have come from similar harrowing circumstances in Kosovo and Bosnia. She says the current situation in the Darfur region of Sudan shows that such events can happen again.

Wheeler thinks that many of her students, both those who dropped out of school and are now seeking their GED and those who are new to this country, likely missed out on instruction in World War II and Holocaust history. She says she herself did not receive much instruction in the Holocaust in either high school or college.

For part of her teaching, Wheeler plans to incorporate the creation of masks by her students.

“As humans, we wear masks, and so I want the students to learn about the masks signifying the perpetrators, the victims, the bystanders and the liberators,” she said.

Wheeler plans to start the instruction in Holocaust history this month, and she will get her students to design their masks later in the month. She is to meet with U.S. Holocaust Museum representatives in Nashville in April to describe how her classes are proceeding, and she will be working with representatives of the Tennessee Holocaust Commission in the future.

Wheeler says the seminar experience was powerful, from start to finish. The guide for her tour group was Jewish, which meant that she received information from the perspective of someone for whom the Holocaust holds special meaning. Despite the emotional content of the words and images, she says everyone should visit the museum.

“The museum was created with such dignity and power. I want to make sure that my students understand the dangers of indifference and intolerance,” she said. “Seeing the shoes was overwhelming. It touched me so much that I won’t ever be the same.”






 

"Inside Pellissippi" is a bi-monthly electronic publication produced by the Community Relations Office for the faculty and staff of Pellissippi State Technical Community College, 10915 Hardin Valley Road, P.O. Box 22990, Knoxville, Tennessee 37933-0990. All suggestions and comments should be sent to Julia Wood (jwood@pstcc.edu).

For past issues, visit the Inside Pellissippi Archive.

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