|
|
|||||||||
|
LIFE SCULPTURE |
|||||||||
|
Class Hours: 0.0 |
|
Credit Hours: 3.0 |
|
||||||
|
Lab Hours: 6.0 |
|
Revised: Fall 2005 |
|
||||||
|
|
|
|
|
||||||
|
Catalog Course Description: |
|
|
|||||||
|
|
Modeling techniques in clay and wax working from the figure. Possibilities of expression with the human figure as subject. Modeling process encompasses both observational and material handling techniques. |
||||||||
|
Entry Level Standards: |
|
|
|||||||
|
|
It is suggested that art majors complete ART 1011 and 2210 to gain the most from the course. |
||||||||
|
Prerequisite: |
|
|
|||||||
|
|
ART 1031 for art majors; None for non-art majors |
||||||||
|
Textbook(s) and Other Course Materials: |
|
||||||||
|
|
None; Selected readings will be provided |
||||||||
|
I. Week/Unit/Topic Basis: |
|
|
|||||||
|
Course work will be introduced in a sequential manner based on degree of difficulty and necessary information related to the completion of each assignment. The student's ability to grasp and master each of the presented problems will determine the pace of the course and the amount of information covered. Projects will center around visual element and beginning through intermediate modeling techniques as applies to three dimensional figurative media in a clay format. Frequent critiques will assist in determining student progress. |
|||||||||
|
|
Week |
Topic |
|||||||
|
|
1 |
The figure as historical art subject. Introduction to proportion and scale. |
|||||||
|
|
2 |
Characteristics of clay media, review of clay techniques. |
|||||||
|
|
3 |
Beginning visual elements as applies to human figure modeling, scale, mass, proportion |
|||||||
|
|
4 |
Surface, contour, gesture, smooth versus worked |
|||||||
|
|
5 |
Form, analysis of proportion and gesture. |
|||||||
|
|
6 |
Working methods, application of clay and intermediate manipulation of wire and paper armatures |
|||||||
|
|
7 |
Surface manipulation |
|||||||
|
|
8 |
Integration of multiple figure forms in relational groups |
|||||||
|
|
9 |
Use of specific tools to modify surface |
|||||||
|
|
10 |
Intermediate visual elements as applies to human figure modeling, scale, mass, expression. |
|||||||
|
|
11 |
Final surface manipulation |
|||||||
|
|
12 |
Drying techniques |
|||||||
|
|
13 |
Kiln stacking, firing techniques |
|||||||
|
|
14 |
Finishing techniques, paint, stain patina |
|||||||
|
|
15 |
Final projects, review, critiques |
|||||||
|
II. Course Objectives*: |
|
|
|||||||
|
|
A. |
Demonstrate a relevant
knowledge of the terminology and manipulation of clay as a three dimensional
media in a figure modeling format. |
|||||||
|
|
B. |
Operate within a basic mastery of armature development and construction. II. |
|||||||
|
|
C. |
Express a spacial/constructional rationale for the organization of three dimensional figure modeling. II. |
|||||||
|
|
D. |
Become aware of and use a variety of conceptual, stylistic and formal means for making an effective visual statement within a figure modeling format. II. |
|||||||
|
|
E. |
Show a beginning and intermediate knowledge of three dimensional elements as applies to the media of clay in a figure modeling format. II. |
|||||||
|
|
F. |
Exhibit a basic working knowledge of intermediate glazing, kiln stacking, and correct firing techniques. II. |
|||||||
|
*Roman numerals after course objectives reference TBR’s general education goals. |
|||||||||
|
III. Instructional Processes*: |
|
|
|||||||
|
Students will: |
|
|
|
||||||
|
|
1. |
Verbally interact in studio
exercises and critiques that focus on expectations of our society as well as
those embraced by other cultures as regards the figure in art. |
|||||||
|
|
2. |
Be required to use the internet to research and reference examples of recent and historical figure modeling techniques and exhibitions. Technological Literacy Outcome, Active Learning Strategy, Transitional Strategy, Humanities Fine Arts Outcome |
|||||||
|
|
3. |
Apply known numerical standards to the proportioning of the human figure. Numerical Literacy Outcome, Humanities Fine Arts Outcome, Active Learning Strategy |
|||||||
|
*Strategies and outcomes listed after instructional processes reference TBR’s goals for strengthening general education knowledge and skills, connecting coursework to experiences beyond the classroom, and encouraging students to take active and responsible roles in the educational process. |
|||||||||
|
IV. Expectations for Student Performance*: |
|
|
|||||||
|
Upon successful completion of this course, the student should be able to: |
|||||||||
|
|
1. |
Use art terms and vocabulary. A,D |
|||||||
|
|
2. |
Demonstrate a knowledge of physical properties of clay in a figure modeling format. A, D |
|||||||
|
|
3. |
Understand the use of three dimensional elements in a figure modeling format. C,E |
|||||||
|
|
4. |
Understand the relationship between three dimensional elements and clay in a figure modeling format. C,E |
|||||||
|
|
5. |
Show knowledge of basic figure modeling techniques. B,E |
|||||||
|
|
6. |
Utilize basic knowledge as applies to necessary firing techniques. F |
|||||||
|
*Letters after performance expectations reference the course objectives listed above. |
|||||||||
|
V. Evaluation: |
|
|
|||||||
|
|
A. Testing Procedures: |
||||||||
|
|
As a studio class, no formal written exams will be given. |
||||||||
|
|
B. Laboratory Expectations: 75% of grade |
||||||||
|
|
75%
of final grade is based on the quality and completeness of studio
requirements and assignments: |
||||||||
|
|
C. Field Work: 25% of grade |
||||||||
|
|
Participation in class critiques and discussions. |
||||||||
|
VI. Policies: |
|
|
|||||||
|
|
A. Attendance Policy: |
||||||||
|
|
|
||||||||
|
|
B.
Academic Dishonesty: |
||||||||
|
|
Students
are expected to abide by the sanctions listed in the current college catalog
under the Academic and Classroom Misconduct guidelines |
||||||||
|
|
C.
Accommodations for disabilities: |
||||||||
|
|
If
you need accommodations because of a disability, if you have emergency
medical information to share, or if you need special arrangements in case the
building must be evacuated, please inform the instructor immediately. Please
see the instructor privately after class or in his/her office. Students must
present a current accommodation plan from a staff member in Services for
Students with Disabilities (SSWD) in order to receive accommodations in this
course. Services for Students with Disabilities may be contacted by going to Goins 127 or 131 or by phone: 694-6751(Voice/TTY) or
539-7153. |
||||||||