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MASTER SYLLABUS |
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ENGL 2331 |
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Class Hours: 3.0
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Credit Hours:
3.0
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Laboratory Hours:
0.0
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Revised: Spring
05
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Catalog Course
Description:
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This course introduces
students to literature written by major African American writers. It examines
the vernacular (voice), the conventional literary devices, and the diverse
writing strategies; discusses the universal themes found in the literature
of the following periods: “Narratives of Slavery,” “Literature of the Reconstruction
To The New Renaissance” (1865-1919) and the “Harlem Renaissance” (1919-1940).
The course examines the writing of African Americans found in the following
genres: essays, short stories, drama, and a novel. The course seeks to
improve the students’ abilities to read critically, to write analytically,
and to substantially increase their knowledge of African American literary
traditions and writers.
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Entry Level Standards:
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The student should
be able to plan and write analytical essays, have basic research skills,
and write papers about literature. Students must demonstrate proficiency
in standard English grammar, spelling, mechanics and source documentation.
In addition, students should be familiar with basic literary terminology
and genres.
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Prerequisite:
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ENGL 1020
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Textbook(s) and
Other Course Materials:
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Gates, Henry Louis
Jr., and Nellie Y. McKay, eds. The Norton Anthology of African American
Literature. New York: W.W. Norton & Company, 1997.
Hughes, Langston, ed. The Best Short
Stories by Black Writers: The Classic Anthology from 1899 to 1967.
New York: Little Brown and Company (Canada) Limited, 1967. Gaines, Ernest J. A Gathering of Old
Men. New York: Vintage Books, 1992. |
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I. Week/Unit/Topic
Basis:
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Week
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Topic
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1
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Course Introduction;
Zora Neale Hurston’s essay “Characteristics of Negro Expression”: Will
to Adorn, Use of Metaphor and Simile, The Double Descriptive, Verbal
Nouns, and Nouns from Verbs
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2
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The Vernacular Tradition;
The History and Defining the Vernacular: Spirituals, Gospel, The Blues
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3
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Secular Rhymes and
Songs and Music: Jazz, Ballad, Work Songs, Rap
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4
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The Literature of
Slavery and Freedom: 1746-1865; The Earliest Known Works
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5
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Lucy Terry’s poem
“Bars Fight”; Phillis Wheatley
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6
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Literature of the
Reconstruction to the New Negro Renaissance: 1865-1919
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7
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Harlem Renaissance
Arthur A. Schomburg’s autobiography/essay
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8
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Langston Hughes and
other writers (open selections)
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9
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Realism, Naturalism,
Modernism Period: 1940 - 1960
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10
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Short Stories
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11
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Drama: Lorraine Hanberry’s
play A Raisin in the Sun
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12
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A Raisin in the
Sun
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13
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Novel: Soul City
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14
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Soul City
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15
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Final Exam
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II. Course Objectives*:
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A.
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Respond thoughtfully
to the expression of enduring human concerns. II.1,
6; IV.2
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B.
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Recognize the distinctive
interpretations of experience offered by African American writers
of the slavery and freedom, reconstruction, Harlem Renaissance, and realism-naturalism-
modernism periods. III.2,
IV.2, 3
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C.
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Demonstrate a high
level of critical and analytical thinking skills in writing and discussion.
III.2
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D.
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Work independently
to interpret and present assigned topics in a seminar setting. I.2,
4; II.1, 6; III.2
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*Roman
numerals after course objectives reference TBR's general education goals.
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III. Instructional
Processes*:
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Students will:
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1.
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Work in teams to
discuss and analyze literature. Communications Outcome, Transitional
Strategy, Active Learning Strategy
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2.
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Read assigned works
of literature and participate in class discussion. Communication
Outcome, Humanities and/or Fine Arts Outcome, Transitional Strategy, Active
Learning Strategy
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3.
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Use word processing
software to write essays analyzing assigned poetry, essays, fiction, and
drama, evaluating both the aesthetic value of texts and the historical
influences that affect them. Communication Outcome, Technological Literacy
Outcome, Transitional Strategy, Active Learning Strategy
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4.
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Develop research
skills using and evaluating library and Internet sources. Communication
Outcome, Technological Literacy Outcome, Transitional Strategy, Active
Learning Strategy
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5.
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Develop oral presentation
skills to present individual or group information. Communication
Outcome, Transitional Strategy, Active Learning Strategy
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6.
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Attend various cultural,
historical, or educational opportunities on or off campus. Communication
Outcome, Transitional Strategy
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7.
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Internalize the work
ethic by regularly attending class, being punctual, being dependable,
cooperating with the teacher and other classmates, contributing to class
discussion and projects, and acting in a professional manner while
in class. Transitional Strategy
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*Strategies and outcomes
listed after instructional processes reference TBR’s goals for strengthening
general education knowledge and skills, connecting coursework to experiences
beyond the classroom, and encouraging students to take active and responsible
roles in the educational process.
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IV. Expectations
for Student Performance*:
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Upon successful completion
of this course, the student should be able to:
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1.
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Identify universal
themes, and trace the vernacular elements found in African American
writings of each period studied. A, B
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2.
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Illustrate these
themes and vernacular elements by references to works read. B
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3.
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Define and discuss
primary genres of the slavery and freedom writers, such as spirituals,
poetry, and essays. C
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4.
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Identify and explain
major tenets of reconstruction writers, such as Grimke, Johnson, and
Dunbar. A, B, C
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5.
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Discuss and illustrate
differences in techniques and styles found in all periods from the Slavery/Freedom
through the contemporary writer. A, B, C
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6.
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Discuss major characteristics
of the renaissance writings, such as the blues, jazz, poetry, and essays.
A, B, C
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7.
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Discuss the diverse
psychological techniques by writers of each period studied. C
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8.
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Demonstrate an understanding
of the relationship between life and literature by relating biographical
information about major writers of each period studied. A, B
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9.
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Write responses and
analytical papers on appropriate topics relating to the works studied.
D
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10.
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Write insightful,
appropriately developed, and mechanically correct answers to essay
questions concerning the works studied. D
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11.
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Demonstrate an understanding
of the literature and its background by presenting a writing or conducting
an oral discussion of a particular author's style or of a particular genre
to the class. A, C, D
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*Letters after performance
expectations reference the course objectives listed above.
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V. Evaluation:
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A. Testing Procedures:
35% of grade
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Exams: there
will be two exams, each counting 10% of your final grade. The exams
will
include multiple choice, short answers, identifications, and essay
questions. Exams will cover material read since the previous exam.
Journal entries and class notes will be of great help.
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B. Laboratory Expectations:
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N/A
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C. Field Work: 65%
of grade
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Journal Responses:
Journal responses should summarize the literary characteristics of the
writing of each historical period discussed in class. In other words,
the journal responses should be at least a one page typed summary of your
class notes. You will be required to submit journal entries after
a number of works have been discussed in class; therefore, taking notes
in class will be essential. You will be required to submit ten journal
entries. Each entry will have a numerical value of 15 points.
The journal will represent 15% of the final grade. The journal entries
will also be helpful when reviewing for exams and quizzes.
Papers: You will be required to write two major essays. One will be a critical analysis of the novel requiring research of at least three scholarly secondary sources. It should include references to both the primary and secondary sources. The other will be a comparison/contrast theme paper (across genres; a poem, an essay, and a short story) requiring biographical research and biographical synopsis of the authors. The essays are 40% of the final grade. Journal entries and class notes will be of great help with the papers. Project: For
the course project, you will select one of the following:
The details of this
project will be discussed early in the course, and the project can be submitted
at any time during the semester; however, it is recommended that you complete
the project during the first half of the semester. The project is
10% of the final grade. |
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D. Other Evaluation
Methods:
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N/A
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E. Grading Scale:
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A
930-1000
B+
920-929
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VI. Policies:
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A. Attendance Policy:
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Attendance, promptness,
and participation are essential to success in college courses. The general
attendance policy of the College states that students must be present for
at least 75 percent of scheduled class meetings in order to receive credit
for the course; thus, students who miss 25 percent of class meetings will
gail the course. Therefore, any student who must miss an excessive
number of classes for any reason is advised to withdraw from the College
under the "Mitigating Circumstances" provision as described in the PSTCC
Catalog.
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B. Academic Dishonesty:
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Any student found
engaging in an act of academic dishonesty will be promptly dismissed from
the course with a grade of F. According to the PSTCC 2004-2006 Catalog
& Handbook,
Prohibited activities include but are not limited to the following practices: |
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C. Accommodations
for disabilities:
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If you need accommodation
because of a disability, if you have emergency medical information to share,
or if you need special arrangements in case the building must be evacuated,
please inform the instructor immediately. Privately after class or
in the instructor's office.
To request accommodations students must register with Services for Students with Disabilities: Goins 127 or 131, Phone: (865) 539-7153 or (865) 694-6751 Voice/TDD. |
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