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THREE
DIMENSIONAL MEDIA ART 1031 |
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Class Hours: 6.0 |
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Credit Hours: 3.0 |
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Laboratory Hours: 6.0 |
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Revised: Fall 08 |
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Catalog Course
Description: |
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Fundamental aspects of
three dimensional design utilizing projects that deal with real space and a variety
of three dimensional applications and materials. |
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Entry Level Standards: |
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Prior course work in three
dimensional media is not required. It is suggested that students complete ART
1011 (Drawing I) prior to taking ART 1031. Art 1031 is one of two core
foundation courses required prior to more advanced fine art studio classes,
particularly ceramics and sculpture and other 3-D applications. |
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Prerequisites: |
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None |
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Textbook(s) and Other
Course Materials: |
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Students will be
provided and/or assigned supplemental readings relevant to course content and
assignments during the semester. Students are required to keep a personal course
journal that reflects concepts, solutions, technical, and media
considerations. |
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I. Week/Unit/Topic
Basis: |
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Course work will be
introduced in a sequential manner based on degree of difficulty and
student’s ability to understand and master presented problems. Assigned projects address fundamental
technical and conceptual problems suggested by historical and current
artistic practice focusing on visual elements and relevant theories as
applies to: stress/structure, form content, and functions. Periodic critiques and individual notebooks
detailing class work will be utilized to improve critical abilities and
assist in evaluation. In addition to formal studio time, students are
required to supplement with a minimum of one hour of documented open lab time
each week. |
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Week |
Topic |
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1 |
The visual elements as
applied to a three dimensional systems/syntax; Line, shape, mass, texture, space/time,
motion, scale/proportion, unity/variety, rhythm, balance, emphasis, contrast |
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2 |
Form and content |
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3 |
Functions of art |
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4 |
Figurative |
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5 |
Figurative critique |
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6 |
Biomorphic |
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7 |
Biomorphic critique Mid-term
evaluation |
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8 |
Geometric |
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9 |
Geometric critique |
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10 |
Stress and structure |
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11 |
Architectural
relationship |
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12 |
Architectural relationship
cont. |
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13 |
Integrated
relationships |
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14 |
Integrated relationships
cont. |
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15 |
Final projects; portfolio
review |
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II. Course Objectives*: |
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A. |
Demonstrate through use a working
knowledge of the terminology, nature, and source of the visual elements as
they pertain to three dimensional formats.
II,2, 3,4 |
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B. |
Develop and demonstrate a
working/application knowledge of three dimensional media relating to clay,
paper, wood, metal, and mixed media.
II,6 |
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C. |
Evidence a working
knowledge of additive, assemblage, and reductive methods covered during
course sequence in three dimensional formats.
II,6 |
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D. |
Demonstrate through oral
and written context a knowledge of aesthetic criticism as pertains to three
dimensional media - fundamental, construction methods, and materials; Relate contextual
information to past and contemporary references. II,1,6 |
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E. |
Demonstrate competence in
the primary abilities of observation, critical analysis, and application of
3-D principles in alternate contexts/courses. II.3 |
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*Roman numerals after
course objectives reference TBR’s general
education goals. |
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III. Instructional
Processes*: |
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Students will: |
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1. |
Create written conceptual summaries
of individual projects prior to starting on the studio execution of each. Communication Outcome, Humanities Fine Art
Outcome, Active learning Strategy |
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2. |
Interact in studio exercises
and critiques that focus on expectations of our society as well as explore
those of other cultures. Communication
Outcome, Humanities Fine Art Outcome, Active learning Strategy |
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3. |
Individually and in group
create multiple finished pieces in a 3-D genre that illustrate an
understanding of technical, media differences in 3-D application. Humanities Fine Arts outcome, Active
learning strategy, Transitional strategy |
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4. |
Do one or more of the following
during the semester, (1) attend exhibitions of work in the area (2) attend
lecture(s) by visiting professionals (3) participate in informal
lectures/workshops in class with visiting artists. Students will then
participate in a group discussion regarding the specific activity and its
relation to career direction, personal growth as regards aesthetic ability,
and/or philosophical aesthetics. Communication
Outcome, Humanities Fine Arts Outcome, Active Learning Strategy, Transitional
Strategy |
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5. |
Maintain personal written
journals throughout the semester to document progress and personal
feelings/reactions to the learning process, in particular the outside
sketchbook and class critiques. Communication Outcome, Humanities Fine Arts Outcome,
Active learning Strategy |
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*Strategies
and outcomes listed after instructional processes reference TBR's goals for strengthening general education knowledge
and skills, connecting course work to experiences beyond the classroom, and
encouraging students to take active and responsible roles in the educational
process. |
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IV. Expectations for Student Performance*: |
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Upon
successful completion of this course, the student should be able to: |
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1. |
Demonstrate applied
knowledge of the terminology utilized in three-dimensional media and
relationship to the visual elements. D
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2. |
Exhibit an applied working
knowledge of form and its relationship to content/imagery. B, D, E |
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3. |
Identify the functions of
art and its relation to individual work, and relationships to historic and
contemporary applications. C , D |
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4. |
Illustrate an applied
working knowledge of stress and its relationship to structural consideration and
various media. C |
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5. |
Display a working and
applied knowledge of biomorphic and geometric form. C |
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6. |
Exhibit ability to apply
3-D concepts and applications to integrated structures, relevant media
considerations and form C |
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7. |
Exhibit basic working
knowledge in the medias of paper, clay, wood, metal, and mixed media
application in 3-D constructs. A,B,C |
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8. |
Provide appropriate
presentations of three dimensional media.
B, C, E |
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9. |
Apply a working knowledge
of three-dimensional media, structures, imagery and relationships to
architecture. A, B, C, D |
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10. |
Elaborate verbally on the
aesthetic strengths and weaknesses of their own and other student's work; Reference
with credibility work by established artists currently working in the field.
D |
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11. |
Draw correlations between
course content and its application to other fine arts courses. D, E |
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12. |
Demonstrate the ability to defend
and or describe the strengths/weaknesses of their own work and other's using
appropriate written format. D |
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*Letters
after performance expectations reference the course objectives listed above. |
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V. Evaluation: |
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A.
Testing Procedures: |
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As a studio class no formal
written tests will be given, although students will be expected to
participate in critiques, both oral and written. |
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B.
Laboratory Expectations: (Minimum Requirements) 90% of grade |
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1. 1 polyhedron construction 2. 2 space, light and emphasis geometric
constructions 3. 1-2 subtractive method carving 4. 1-2 additive method carving 5. 1 found object construction: masks 6. 1 final project, found object construction: self
portraits |
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C.
Field Work: 10 % of grade |
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Personal Journal: 5% of
grade A personal journal must be
kept during the semester. Students are asked to keep a written record of progress
made, thoughts and ideas regarding work under study, indications for areas needing work and areas of strength,
implications for advanced coursework, and any other information that seems
appropriate. Journals will be collected 2 - 3 times during the semester. They
will be kept confidential. Outside Exhibitions and
Lectures: 5% of grade During the semester
students will be expected to take advantage of guest lecturers, outside local
exhibitions, and visiting artists to the class. Discussion will ensue about
the activities which will count toward the discussion/critique requirement
for the course. |
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D.
Other Evaluation Methods: |
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N/A |
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VI. Policies: |
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A.
Attendance Policy: |
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B.
Academic Dishonesty: |
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Students are expected to
abide by the sanctions listed in the current college catalog under the
Academic and Classroom Misconduct guidelines. |
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C.
Accommodations for disabilities: |
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If
you need accommodations because of a disability, if you have emergency
medical information to share, or if you need special arrangements in case the
building must be evacuated, please inform the instructor immediately. Please see the instructor privately after
class or in his/her office. Students
must present a current accommodation plan from a staff member in Services
with Disabilities (SSWD) in order to receive accommodations in this course. Services for Students with Disabilities may
contact by going to Goins 127 or 131 or by phone
694-6751(Voice/TTY) or 539-7153. |
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