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CONTEMPORARY PIANO STYLES/NONMAJOR (1 HOUR LESSON) |
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Class Hours: 0.0 |
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Credit Hours: 2.0 |
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Laboratory Hours: 1.0 |
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Date Revised: Fall 06 |
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Catalog Course Description: |
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Private instruction in
keyboard jazz, blues, pop and rock for students with intermediate piano
skills. Daily practice and workbook assignments are required. May be repeated
for credit. |
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Entry Level Standards: |
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Student should have basic
skill level in reading treble and bass clefs and be familiar with the major
scales. A strong desire to learn to perform is essential. |
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Prerequisites: |
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Consent of instructor; audition
may be required. |
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Textbook(s) and Other
Course Materials: |
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Coker, Jerry.
Jerry Coker’s Jazz Keyboard for Pianists and Non-Pianists (most
recent edition). Instructor may assign other materials as needed. |
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I. Week/Unit/Topic
Basis: |
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Week |
Topic |
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1-14 |
Students will
learn triads and 7th chords in all keys, chord symbol interpretation, and
voice leading. These techniques will be applied throughout the semester
to several pieces in various contemporary styles. The emphasis will be
on mastering the fundamentals necessary for improvisation. |
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15 |
Final Exam Period |
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II. Course Objectives*: |
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A. |
Demonstrate knowledge of
playing the piano at intermediate level. I.6,
II.6 |
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B. |
Evidence an understanding
of music notation, the basic elements of music, and related
terminology. I.6, II.6 |
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C. |
Acquire an appreciation for
quality performance relating to contemporary styles. II.1,
II.6 |
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D. |
Experience the humanizing
effect of music and examines capacity for affecting personal development and
self-expression. II.1, II.2, II.3 |
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E. |
Apply a disciplined method
of approach in the pursuit of long-term goals. I.4,
I.6 |
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*Roman numerals after
course objectives reference TBR’s general
education goals. |
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III. Instructional
Processes*: |
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Students will: |
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1. |
Master appropriate
repertoire and perform selected pieces as a final project, applying the
skills developed in lessons to an actual musical performance. Humanities and/or Fine Arts Outcome, Active Learning
Strategy |
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2. |
Interact with the
instructor in evaluating technical skills and in discussing emotional content
and personal reactions to the music being studied. Communication Outcome, Active Learning Strategy |
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3. |
Develop written reports of
recitals attended, emphasizing the correlation between information covered in
class and the observation of principles in actual practice. Communication Outcome, Active Learning Strategy,
Transitional Strategy |
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4. |
Keep a daily journal of
practice time spent outside the studio and discuss with the instructor the
quality and quantity of time spent in preparation for lessons. Communication Outcome, Active Learning Strategy |
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*Strategies and outcomes
listed after instructional processes reference TBR's
goals for strengthening general education knowledge and skills, connecting
coursework to experiences beyond the classroom, and encouraging students to
take active and responsible roles in the educational process. |
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IV. Expectations for
Student Performance*: |
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Upon successful completion
of this course, the student should be able to: |
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1. |
Demonstrate technical
fluency in the performance of selected repertoire. A, B, C, D, E |
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2. |
Recognize artistic
excellence in music heard at recitals and in portions of
his/her own assigned music. C, D |
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3. |
Apply knowledge,
terminology, and technical skills learned in lessons to actual
performance. A, B |
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4. |
Plan and monitor the
effectiveness of personal practice schedules. D, E |
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5. |
Recognize the emotional
effect(s) of musical experiences. C, D |
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6. |
Evaluate strengths and
weaknesses in piano performance. B, C |
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7. |
Enjoy the personal
accomplishment of achieving a quality performance of selected repertoire
pieces. C, D, E |
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8. |
Analyze works from
appropriate literature by comparing and contrasting forms, styles, and
ideas. B, C |
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*Letters after performance
expectations reference the course objectives listed above. |
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V. Evaluation: |
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A. Testing Procedures: 20%
of grade |
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At the end of the semester the
student must present a polished performance of one memorized piece and one
additional unmemorized piece. Additional
material and pertinent technical exercises can be included at the teacher's
discretion if the student's background and potential warrant it. |
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B. Laboratory Expectations:
70% of grade |
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Five hours of outside
practice per week are a minimal requirement for this course. At each
lesson during the semester the student is required to perform for the instructor
and to apply suggestions for improvement in subsequent lessons. The
average of the weekly lesson grades reflects the student's weekly preparation
and technical/artistic improvement. |
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C. Field Work: 10% of grade |
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During the semester the student is required to attend two live
performances of contemporary keyboardists during the semester. The
keyboardist can appear as a soloist or as part of a group. A one-page paper in which the student evaluates the performance and
applies concepts studied in class, should be turned in at the lesson
following each performance. |
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VI. Policies: |
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Attendance Policy: |
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B. Academic Dishonesty
Policy: |
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Academic misconduct
committed either directly or indirectly by an individual or group is subject
to disciplinary action. Prohibited activities
include but are not limited to the following practices: Cheating, including but not limited to
unauthorized assistance from material, people, or devices when taking a test,
quiz, or examination; writing papers or reports; solving problems; or completing
academic assignments. In addition to
other possible disciplinary sanctions that may be imposed as a result of
academic misconduct, the instructor has the authority to assign either (1) an
F or zero for the assignment or (2) an F for the course. |
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C. Accommodations for
disabilities: |
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If you need accommodations
because of a disability, if you have emergency medical information to share,
or if you need special arrangements in case the building must be evacuated, please
inform the instructor immediately. Please see the instructor privately after
class or in his/her office. Students must present a current accommodation
plan from a staff member in Services for Students with Disabilities (SSWD) in
order to receive accommodations in this course. Services for Students with
Disabilities may be contacted by going to Goins 127
or 131 or by phone: 694-6751(Voice/TTY) or 539-7153. |
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Posted: September
18, 2006