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ADVANCED EDITING |
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Class Hours: 4.0 |
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Credit Hours: 3.0 |
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Laboratory Hours: 0.0 |
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Date Revised: Spring 07 |
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Catalog Course Description: |
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Advanced-level film/video
editing with Avid nonlinear editors (NLEs). Course
designed to train students in advanced-level skills by completing actual
projects. Includes instruction in nested effects, keying, color correction
and other higher-level processes. Unity LANshare
mass storage and at least one HDV project included in instruction. |
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Entry Level Standards: |
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Students must be able to read and write at the college level. Students shall have completed prior course work in basic production, including VPT 1210. Students shall be familiar with basic operation of video cameras, mics and audio mixers, and the basic operation of non-linear editors. Students shall have had prior experience with desktop computers. |
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Prerequisite: |
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VPT 1210 |
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Textbook(s) and Other Reference Materials Basic to the Course: |
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Sources of related
information including videotapes, trade journals, library resources and
Internet sources will be used. Note: Thanks to a major effort by the
acquisitions staff at the College and funding by special grants like COET,
PSTCC has built a large collection of books and videotapes related to the
telecommunications industry .Students should investigate and utilize these
resources. |
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I. Topic Basis: General list of topics to be covered for this course |
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1 |
Discuss syllabus and desired learning outcomes for the course. Evaluate class for related experience, skills and knowledge (pre-instruction assessment). Discuss students overall aspirations and expectations relative to career goals in the field of telecommunications. Instructor's background. Discuss "ground rules" for program, this class and class projects, guest speakers and field trips. Research assignment. Using the WEB to learn about technology. |
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2 |
How to use the Sony Betacam (analog) and the Sony DSR-200 (digital). A quick review of Y, R-Y, B-Y component, "S" and composite signal. What's the difference between analog and digital for postproduction? What is CCIR-601, IEEE-1394 and 4:2:2 vs. 4:1:1 mean to a "non-technical" production person? What does D TV 16:9 hold for us? Discussion of other basic production and postproduction hardware that students have identified in the pre-instruction assessment. Define generally accepted "conventions" that allow universal understanding of visual storytelling. Observe a commercial, documentary and/or feature film. Review and discuss the techniques employed to tell the story from an editor's perspective. |
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3 |
Field trip to Cinetel Postproduction Studios and follow-up discussion of use of digital technologies for field acquisition, postproduction and distribution. What is "D-Beta" and what is a "video server"? Is everything digital? More discussion of how to use various hardware, if necessary .Note: Scheduling may necessitate moving this discussion and field trip to another week. Discuss research assignment. The Montage and match frame editing. |
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4 |
A/B roll match frame editing on the NC/S-VHS system. A/B roll match frame editing on the Video FIX system. Using the waveform and vectorscope to maintain video quality. How to use the Mackie mixers to control audio. Windows NT: The fundamentals. |
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5 |
What is "digital compositing"? .Discuss related project. Discuss the Video Toaster digital switcher and character generator and related project. What comprises a suitable desktop computer powerful enough to handle compositing? Animation? Video editing? Compression interpretive editing project, "Hollywood Dreamin'". General discussion of DVD, DBS and HDTV (DTV). Field trip to Ch. 8 -focus: news editing with Avids. |
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6 |
Research reports (oral presentations and discussion). |
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7 |
The "Dazzle Me" assignment. View montage projects. Review for midterm exam. |
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8 |
Midterm. Work on "Dazzle Me" projects |
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9 |
View and discuss "Dazzle Me" projects |
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10 |
What you really need to know about digital videotape recording formats from Dl to D6 and beyond. |
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11 |
Complete lab assignments. |
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12 |
Review for final exam. View interpretive projects in class |
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13 |
View interpretive projects in class |
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14 |
View interpretive projects in class |
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15 |
Final Exam |
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II. Course Objectives*: |
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A. |
Master and employ advanced
electronic video editing skills by completing various |
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B. |
Apply quality control to technical aspects of the video signal by using appropriate electronic test equipment. I, IV |
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C. |
Identify and delineate aesthetic elements, conventions, techniques and styles employed in compelling moving image/sound presentations; utilize them in project work. I, III, IV |
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D. |
Understand trends in industry-related technological developments that appear to have short and long term implications for the marketplace and the workplace. II |
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*Roman numerals after course objectives reference goals of the VPT program. |
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III. Instructional Processes*: |
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Students will: |
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Use appropriate technology to function within the discipline. Technological Literacy Outcome, Transitional Strategy |
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Use critical thinking skills to interpret, evaluate, and make informed judgments. Communication Outcome, Active Learning Strategy |
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3. |
Apply established industry safety practices and procedures. Transitional Strategy |
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Use industry recognized criteria for organizing audio and visual media to elicit predetermined responses in users. Communication Outcome |
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Employ project management skills. Active Learning Strategy |
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*Strategies
and outcomes listed after instructional processes reference |
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IV. Expectations for Student Performance*: |
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Upon successful completion of this course, the student should be able to: |
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1. |
Identify,
describe and employ editing conventions considered as universally |
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2 |
Operate a "desk top" computer based non-linear/linear editing system utilizing DVCam source footage (DVCam is a registered trademark of Sony). A |
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3. |
Digitally compose and manipulate a still image utilizing Adobe Photoshop and include this image in a videotape project. A |
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4. |
Create electronic titles to be used in a video project using computer software found in the VPT lab including, but not limited to, Photoshop, etc. A, D |
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5. |
Evaluate and discern editing styles from viewing and critiquing mass media. C |
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6. |
Describe the fundamental hardware requirements that must be met to build a digital video editing system around a desktop computer. A |
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7. |
Use raw footage supplied by the department; create an interpretive piece utilizing accepted conventions. A, C |
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8. |
Use raw footage supplied by the department, create an interpretive piece utilizing accepted conventions. A, C |
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*Letters after performance expectations reference the course objectives listed above. |
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V. Evaluation: |
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A. Testing Procedures: 30% of grade |
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Tests/Quizzes |
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B. Laboratory Expectations: 70% of grade |
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Students will develop proficiency with video editing systems, signal test equipment and instructor defined aspects of certain computer software. Projects will count for 70% of the final grade |
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C. Other Evaluation Methods: |
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Participation in class discussions, successful completion of assigned projects, attendance and periodic tests will constitute the basis for the final grade. Since this is a lab class, a heavy emphasis will be placed on the student’s willingness to learn and demonstrate knowledge of the operation of equipment incidental to the video editing process and their understanding of basic editing conventions as demonstrated in their project work. In addition, students will be tested over outside reading/research assignments and materials and information presented in class by the instructor and research presented by other students. |
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D. Grading Scale: |
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90
– 100 A |
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E. Grading Scale: |
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90
– 100 A |
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VI. Policies: |
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A. Attendance Policy: |
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B. Academic Dishonesty: |
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In keeping with college-wide policies, the student is expected to adhere to the general rules and regulations relevant to academic and classroom misconduct as outline in the catalog. |
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C.
Accommodations for disabilities If you need accommodations because of a
disability, if you have emergency medical information to share, or if you
need special arrangements in case the building must be evacuated, please
inform the instructor immediately.
Please see the instructor privately after class or in his/her
office. Students must present a
current accommodation plan from a staff member in Services with Disabilities
(SSWD) in order to receive accommodations in this course. Services for Students with Disabilities may
contact by going to Goins 127 or 131 or by phone 694-6751(Voice/TTY) or
539-7153. D. Other Policies: |
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Any
act of misuse, vandalism, malicious or unwarranted damage or destruction,
defacing, disfiguring, or unauthorized use of property/equipment belonging to
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